“Lizabetha Prokofievna!” exclaimed the prince.
| “What’s up with you this morning, Lebedeff? You look so important and dignified, and you choose your words so carefully,” said the prince, smiling. |
“You hear him! You count upon it, too,” she continued, turning upon Doktorenko. “You are as sure of him now as if you had the money in your pocket. And there you are playing the swaggerer to throw dust in our eyes! No, my dear sir, you may take other people in! I can see through all your airs and graces, I see your game!”
“In the first place, that is a considerable admission, and in the second place, one of the above was a peasant, and the other two were both landed proprietors!”
Aglaya then lost her temper, and began to say such awful things to the prince that he laughed no more, but grew dreadfully pale, especially when she said that she should not remain in the house with him, and that he ought to be ashamed of coming to their house at all, especially at night, “_after all that had happened._”
The good ladies recommended the prince to try knocking at Rogojin’s once more--not at once, but in the evening. Meanwhile, the mother would go to Pavlofsk to inquire at Dana Alexeyevna’s whether anything had been heard of Nastasia there. The prince was to come back at ten o’clock and meet her, to hear her news and arrange plans for the morrow.
“I am very sorry; I was not thinking at the time. I merely said that Aglaya was almost as beautiful as Nastasia Philipovna.”
| Aglaya left without saying good-bye. But the evening was not to end without a last adventure. An unexpected meeting was yet in store for Lizabetha Prokofievna. |
| The prince rose. |
| “Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture. |
| “Don’t be a simpleton. You behave just as though you weren’t a man at all. Come on! I shall see, now, with my own eyes. I shall see all.” |
“If I am admitted and tolerated here,” he had said one day, “it is simply because I talk in this way. How can anyone possibly receive such a man as I am? I quite understand. Now, could I, a Ferdishenko, be allowed to sit shoulder to shoulder with a clever man like Afanasy Ivanovitch? There is one explanation, only one. I am given the position because it is so entirely inconceivable!”
“Agreed that all this may be true; but we need not discuss a subject which belongs to the domain of theology.”Some of her guests suspected that she must be ill; but concluded at last that she was expecting something, for she continued to look at her watch impatiently and unceasingly; she was most absent and strange.
| “Oh, he’s simply a fool,” said Gania. |
Lizabetha Prokofievna frowned, but had not as yet grasped the subject, which seemed to have arisen out of a heated argument. Aglaya sat apart, almost in the corner, listening in stubborn silence.
All present realized that the moment for the settlement of perplexities had arrived.| “How did you come here?” she asked, at last. |
“Ye-yes!” replied Rogojin, starting at the unexpected question.
“Oh! but you may have been sitting behind the bushes somewhere. However, I am very glad, on your account, of course. I was beginning to be afraid that Mr. Gania--might have the preference!”| “You have forgotten, mother,” said Aglaya, suddenly. “He really did carry me about,--in Tver, you know. I was six years old, I remember. He made me a bow and arrow, and I shot a pigeon. Don’t you remember shooting a pigeon, you and I, one day?” |
| “Well, I went homewards, and near the hotel I came across a poor woman, carrying a child--a baby of some six weeks old. The mother was quite a girl herself. The baby was smiling up at her, for the first time in its life, just at that moment; and while I watched the woman she suddenly crossed herself, oh, so devoutly! ‘What is it, my good woman?’ I asked her. (I was never but asking questions then!) ‘Exactly as is a mother’s joy when her baby smiles for the first time into her eyes, so is God’s joy when one of His children turns and prays to Him for the first time, with all his heart!’ This is what that poor woman said to me, almost word for word; and such a deep, refined, truly religious thought it was--a thought in which the whole essence of Christianity was expressed in one flash--that is, the recognition of God as our Father, and of God’s joy in men as His own children, which is the chief idea of Christ. She was a simple country-woman--a mother, it’s true--and perhaps, who knows, she may have been the wife of the drunken soldier! |
“At the first glimpse of the rising sun, prince, I will go to bed. I told you I would, word of honour! You shall see!” cried Hippolyte. “You think I’m not capable of opening this packet, do you?” He glared defiantly round at the audience in general.
“Even the porter does not know that I have come home now. I told him, and told them at my mother’s too, that I was off to Pavlofsk,” said Rogojin, with a cunning and almost satisfied smile. “We’ll go in quietly and nobody will hear us.”
| “Since that evening I have been specially fond of donkeys. I began to ask questions about them, for I had never seen one before; and I at once came to the conclusion that this must be one of the most useful of animals--strong, willing, patient, cheap; and, thanks to this donkey, I began to like the whole country I was travelling through; and my melancholy passed away.” |