“But I really don’t know which of my actions is the worst,” said the lively actress.
“As soon as I finished writing in her album for her, and when she asked me to come out of the room with her (you heard?), we went into the dining-room, and she gave me your letter to read, and then told me to return it.”
| “The face was depicted as though still suffering; as though the body, only just dead, was still almost quivering with agony. The picture was one of pure nature, for the face was not beautified by the artist, but was left as it would naturally be, whosoever the sufferer, after such anguish. |
| It was strange, Nastasia Philipovna felt, to see Aglaya like this. She gazed at her, and could hardly believe her eyes and ears for a moment or two. |
| “Dear me! How you have gone into all the refinements and details of the question! Why, my dear fellow, you are not a caligraphist, you are an artist! Eh, Gania?” |
“Don’t abuse him; though I dare say you have something to complain of....”
“Why, it was yourself who advised me to bring him over!”
| “Oh! no, no!” said Lebedeff, hurriedly. |
| And once more, that same evening, Aglaya mystified them all. Prince S. had returned, and Aglaya was particularly amiable to him, and asked a great deal after Evgenie Pavlovitch. (Muishkin had not come in as yet.) |
The funeral service produced a great effect on the prince. He whispered to Lebedeff that this was the first time he had ever heard a Russian funeral service since he was a little boy. Observing that he was looking about him uneasily, Lebedeff asked him whom he was seeking.
| As to recollecting what he had been thinking of all that time, he could not. He caught himself, however, indulging in one thought which made him roar with laughter, though there was nothing really to laugh at in it; but he felt that he must laugh, and go on laughing. |
“I tell you it’s true,” said Rogojin quietly, but with eyes ablaze with passion.
He took up the portrait, and went out of the room.
| “Dear me! How you have gone into all the refinements and details of the question! Why, my dear fellow, you are not a caligraphist, you are an artist! Eh, Gania?” |
| Conversing with the prince, Aglaya did not even seem to notice that Gania was in the room. But while the prince was getting his pen ready, finding a page, and making his preparations to write, Gania came up to the fireplace where Aglaya was standing, to the right of the prince, and in trembling, broken accents said, almost in her ear: |
Varvara Ardalionovna married Ptitsin this winter, and it was said that the fact of Gania’s retirement from business was the ultimate cause of the marriage, since Gania was now not only unable to support his family, but even required help himself.
He continued to speak in a whisper, very deliberately as before, and looked strangely thoughtful and dreamy. Even while he told the story of how he had peeped through the blind, he gave the impression of wishing to say something else. They entered the study. In this room some changes had taken place since the prince last saw it. It was now divided into two equal parts by a heavy green silk curtain stretched across it, separating the alcove beyond, where stood Rogojin’s bed, from the rest of the room.
| “It puzzles me much to think how on earth the prince guessed yesterday that I have had bad dreams. He said to me, ‘Your excitement and dreams will find relief at Pavlofsk.’ Why did he say ‘dreams’? Either he is a doctor, or else he is a man of exceptional intelligence and wonderful powers of observation. (But that he is an ‘idiot,’ at bottom there can be no doubt whatever.) It so happened that just before he arrived I had a delightful little dream; one of a kind that I have hundreds of just now. I had fallen asleep about an hour before he came in, and dreamed that I was in some room, not my own. It was a large room, well furnished, with a cupboard, chest of drawers, sofa, and my bed, a fine wide bed covered with a silken counterpane. But I observed in the room a dreadful-looking creature, a sort of monster. It was a little like a scorpion, but was not a scorpion, but far more horrible, and especially so, because there are no creatures anything like it in nature, and because it had appeared to me for a purpose, and bore some mysterious signification. I looked at the beast well; it was brown in colour and had a shell; it was a crawling kind of reptile, about eight inches long, and narrowed down from the head, which was about a couple of fingers in width, to the end of the tail, which came to a fine point. Out of its trunk, about a couple of inches below its head, came two legs at an angle of forty-five degrees, each about three inches long, so that the beast looked like a trident from above. It had eight hard needle-like whiskers coming out from different parts of its body; it went along like a snake, bending its body about in spite of the shell it wore, and its motion was very quick and very horrible to look at. I was dreadfully afraid it would sting me; somebody had told me, I thought, that it was venomous; but what tormented me most of all was the wondering and wondering as to who had sent it into my room, and what was the mystery which I felt it contained. |
“He is drunk,” said the prince, quietly, “and he loves you very much.”
“Gania, I have an idea. I wish to recompense you--why should you lose all? Rogojin, would he crawl for three roubles as far as the Vassiliostrof?”
| “That confounded cough of mine had come on again; I fell into a chair, and with difficulty recovered my breath. ‘It’s all right, it’s only consumption’ I said. ‘I have come to you with a petition!’ |
“Come then. You know, I suppose, that you must escort me there? You are well enough to go out, aren’t you?”
| “Why don’t you finish your sentence? Shall I tell you what you were thinking to yourself just then? You were thinking, ‘How can she marry him after this? How can it possibly be permitted?’ Oh, I know what you were thinking about!” |
“And what can I do for you, esteemed prince? Since I am told you sent for me just now,” he said, after a few moments’ silence.
| “The son is not responsible for the misdeeds of his father; and the mother is not to blame,” added Hippolyte, with warmth. |
“Yes, lock it.”
But it was a hysterical laugh; he was feeling terribly oppressed. He remembered clearly that just here, standing before this window, he had suddenly turned round, just as earlier in the day he had turned and found the dreadful eyes of Rogojin fixed upon him. Convinced, therefore, that in this respect at all events he had been under no delusion, he left the shop and went on.
| At this moment the study door opened, and a military man, with a portfolio under his arm, came out talking loudly, and after bidding good-bye to someone inside, took his departure. |
“But, my dear fellow, what are you doing, what do you mean?”
| Whether she were a woman who had read too many poems, as Evgenie Pavlovitch supposed, or whether she were mad, as the prince had assured Aglaya, at all events, this was a woman who, in spite of her occasionally cynical and audacious manner, was far more refined and trustful and sensitive than appeared. There was a certain amount of romantic dreaminess and caprice in her, but with the fantastic was mingled much that was strong and deep. |
“Don’t suppose, prince,” she began, bracing herself up for the effort, “don’t suppose that I have brought you here to ask questions. After last night, I assure you, I am not so exceedingly anxious to see you at all; I could have postponed the pleasure for a long while.” She paused.
“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”
“Why should it be secret? Not at all; I will call on her myself tomorrow.”
He looked back at her, but at times it was clear that he did not see her and was not thinking of her.
| Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm’s length. |
“All right! all right! I am not drunk,” replied the clerk, preparing to listen.
“Poor orphans,” began Lebedeff, his face assuming a mournful air, but he stopped short, for the other looked at him inattentively, as if he had already forgotten his own remark. They waited a few minutes in silence, while Lebedeff sat with his eyes fixed mournfully on the young man’s face.
“I had a small pocket pistol. I had procured it while still a boy, at that droll age when the stories of duels and highwaymen begin to delight one, and when one imagines oneself nobly standing fire at some future day, in a duel.
“I am base--base!” muttered Lebedeff, beating his breast, and hanging his head.